4 input audio interface mac

Cubasis LE, part of the bundled software which allows you to record on iOS devices, ensures maximum portability. IK Multimedia makes some of the coolest portable interfaces for iOS or desktop devices. The Pre HD may be ideal for vocalists who frequently track while traveling, or who may not produce their own music at home. Behringer strikes again!

And just to warn you, this info is often hard to find. But it rarely happens.

Video - Apogee Quartet audio interface - Apogee Electronics

Later in this post I will give you some good examples of these. When connecting an audio interface to a computer…. While USB is by far the slowest of all 4 options, it is still more than fast enough to get the job done for the vast majority of home studios. So take that into consideration if you plan on using one. One thing recording newbies often fail to realize is…. However in almost all cases, it includes some combination of these Now that you know…make sure you actually have enough channels for your purposes. Most of the few complaints point to driver and operating system compatibility issues, but this is to be expected given the many number of OS versions and updates.

There are some who are taken aback by the price, stating that it should be a bit more accessible.

The Top 10 Best Audio Interfaces for the Money

If you are looking to expand your recording capabilities for recording acoustic drums, singing groups and the like, then the Roland Octa Capture should be high on your list. It has a total of 8 analog inputs, including two combo XLRs, while also providing more than a handful of output options. But it's not just about connectivity, because this unit comes with RME's Hammerfall converters, known for their premium sound quality. Reviews are flooded with superlatives like excellent, great, superior and the like - all of which reflect the RME Fireface UCX's high ratings.

Everything from sound quality, to its solid build, to its reliability got a lot of positive mentions. One user even reported having no problems and not a single instance of software crashing with his almost two years of use. Even Sam Inglis of Sound of Sound is convinced of its performance, saying "the main reasons for buying a Fireface UCX remain its excellent sound and performance in a computer recording context". There are a few who noted that the interface has some room for improvement, other than that, everyone seems very happy with their expensive interface.

If budget is not an issue, and you're looking for a powerful and versatile audio interface, then the RME Fireface UCX is highly recommended.


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  5. The best budget audio interfaces to buy.
  6. The Top 10 Best Audio Interfaces for the Money | Mic Reviews!

As such, it is gives you quite a lot for the money, which in turn catches the attention of many home studio owners who want a good value for money interface. And it comes packed with 8 Ultra-HDDA mic preamps for plugging multiple mics, with hi-Z inputs on the first 2 channels for capturing bass or guitar direct.

There is also the convenience of dual headphone outputs, for monitoring flexibility. Versatility and value for money is the common denominator among many reviews. They are followed by positive comments about sound quality, which speaks of the quality of the mic preamps. Barry Watson of Sound on Sound agrees with the majority saying: There are also some who are not too happy with the small knobs.

Still, with its incredible versatility, the Tascam Celesonic USx20 is a worthy addition to any recording setup. Studio Capture is the flagship model of Roland's line of audio interfaces, and as expected, this one carries all the big guns, meant for professional studio use. Experts appreciate the generous input and output options that this unit provides, and after putting their units to the test with maxed input and output options, they found that the Roland Studio Capture passed with flying colors.

Reviews are mostly positive, pointing to its sound quality, solid and reliable build, and easy operation - and all of these are from people who use different DAW software and operating systems, from those with Cubase on Windows to Pro Tools on Macs. If you're looking for a reliable audio interface with 16 analog inputs, then get the top rated Roland Studio Capture. The Fireface packs RME's premium build and sound quality into an audio interface with 12 analog inputs.

Fantastic and wonderful are just two of the many positive adjectives that have been used to describe the RME Fireface Clarity and overall sound quality is almost always praised, while others are very happy with its versatility and connectivity. Many of the users report that it works well on Macs, but there are also Windows users who are just as impressed. One user described the sound as clear and uncolored, ideal for those who want transparent recordings of instruments and vocals. There were a few who wish for added features like, extra XLR combo inputs, while some were not too happy with how the manual describes its operation.

The RME Fireface is a worthy investment for those who want a versatile and powerful audio interface in their studio. This one wouldn't have made it into the list on the basis of some user experiences but if you think you can avoid these issues then there's a bargain to had. In the USx08 Tascam have produced a really good piece of hardware at a great price but it has been hampered by issues with its drivers over a period of time and this is reflected in the mediocre Gearank score.

However if you are prepared to do your research and take the chance that you'll end up troubleshooting driver issues then you'll stand a good chance of ending up with a bargain. This unit offers a full 16 channels of inputs, 8 of which are Ultra-HDDA microphone preamps plus 8 line level inputs. The unit is USB Class compliant so you should be able to use the basic IO features without needing Tascam's drivers and this also provides compatibility with 'driverless' devices such as the iPad.

Most users are impressed with the quality of the preamps, complimenting them for their strong signal and low noise operation. As expected, being affordable and easy to setup came up a number of times. A significant minority of reviewers say they have experienced consistent problems with the drivers, with reports of crashing, high CPU usage, and audio interruption.

The problems seem to be more prevalent with Windows OS, while Mac users have generally fared better. Those who have contacted Tascam support were unimpressed with what help they received as is a common theme with many manufacturers. That said, most users haven't experienced these problems and a fair few have found them fairly easy to resolve.

Selecting the best audio interface

Some report that they are able to bypass the problems with the Tascam drivers by using Class Compliant drivers instead. If you're looking for 16 channels of input on a budget then this is a great option.


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  • The Best USB Audio Interfaces - 4 / 8 / 16 Channel - Jan | Gearank;
  • Most users who buy this are very pleased with the performance it offers and unless you strike driver problems you will be too. This is the number of analogue inputs that can be transferred through to separate tracks on your computer which sounds pretty simple. However we think some manufacturers fudge the number a little bit to give a higher channel count. So an "18 channel" interface might only be able to handle 8 analogue inputs by itself. This is why we've classified the interfaces in our guide by the number of analogue channels that can be input and be sent as separate channels via USB.

    This is not to say that these extra digital input channels aren't a handy option when you want to expand but they won't help you if you don't have another compatible audio interface. In addition to knowing the number of inputs, you also have to know the type of inputs available be it line level low impedance or instrument level high impedance inputs. Instrument level ports are for electric guitars and basses with no active preamp, while you can plug keyboards, amps and other electronic instruments in to the line level input.

    XLR inputs are usually accompanied by a preamp to handle microphones. Some units have versatile line level and instrument level switching for specific ports. Built-in preamps allow you to connect microphones and they also can provide phantom power to condenser mics when needed. But they're not just for connectivity, because they can also effect the character of the sound and are responsible for keeping noise at bay.

    Thankfully, manufacturers rarely skimp on the quality of their preamps, often equipping their entire range of audio interfaces with the same preamp found on their flagship model. Note that not all inputs will have a preamp, so it is important to consider the actual number of preamps available, particularly for recording with condenser mics.

    But first, do you actually need an audio interface?

    As the channels increase, so does the complexity of the circuit, and its power requirement. So you can expect most of the units listed here to require wall power adaptors to keep them running. Still there are a few that can be bus powered via USB from a computer.


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